This chorus to this track owes me months of back rent but keeps invoking squatter’s rights as it kicks every other song to the curb when its territory is encroached upon.

HAHAHA, how much nonsense I’ve read today, in fact, I didn’t even get halfway through your text, you didn’t use a single valid argument, just spewed your personal taste, terrible review. To be kind, it’s a display of how limited and inflexible Gunship’s ‘80s palette truly is; to be not-so-kind, it’s a chore to get through that burns through its best ideas in the first half (charitably), and sees fit to crater any and all creative impulses for the remainder of this hour-long brick of synth buzz. It’s followed by ‘Empress of the Damned’, a glitching, pulsing anthem fuelled by the high, airy voice of Canadian electropop star Lights .It’s also a massive undertaking, asking for just over an hour of your time which is a big ask; the good news is, that Gunship mostly justify the runtime, but there’s definitely room to trim back some of their more egregious excesses. The songs are great and varied but all with that GUNSHIP vibe, which blends so well with this album. What’s most telling, though, is how, regardless of that reach or the budget they’ve got or the big names they’ll align themselves with, Gunship never cease to be utterly forgettable. I mean, there isn't much else to say - if you liked some of the songs on their first two albums, then you'll definitely like some of the tracks on this one.

British masters of futuristic dark retrowave/synthrock with the next mighty release, driving, nuanced and catchy as it should be. Umweltschutz geht so: Hier mit Styropor oder ähnlichem sauber arbeiten, dann würde man sich unnötige Retourfahrten ersparen. There’s also some cool bits of The Prodigy-esque styling to crop up on Blood For The Blood God and Nuclear Date Night, and in general, the front half that’s loaded with guest stars makes for the most appealing fare, if only to see how they’re all used and arranged. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products.Regardless as a somewhat self-professed metalhead, synthwave provided some of the same release that I get from riffs and blast beats but it does so through a completely different sonic milieu. That album came out five years ago now, and the single prevailing memory of Gunship is their slavish desire to ‘80s synthwave, in a way that subsumed anything approaching a cogent idea or identity in favour of laying that devotion bare. Everything Is Noise is here to bring you music that you connect with, and provide a positive, accessible space to discuss this music in a open-minded community of fans and creators. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.

The saxophone work by Tim Capello is stunning with collaboration also with the legendary John Carpenter.Tech Noir’ finally gets a sequel too, with ‘Tech Noir 2’ bringing Charlie Simpson back to team up with his Fightstar bandmates alongside John Carpenter. It’s not even worth singling out individual tracks for the most part, either; there’s barely anything to single out! Their restlessness is nothing but a benefit for us as this record is a warm welcome back and quite the treat for those of us that have been waiting for years for that neon and chrome synthwave that they are so adept at creating. Tech Noir 2 by itself is a master-class in how to take a known and beloved quantity and somehow against all odds, improve upon it in every conceivable way while SOMEHOW retaining all of the originals DNA.

You’d think they’d be more memorable overall, given how ready their fanbase was to pounce on any assertions that Dark All Day wasn’t a good album (which it wasn’t), but maybe that’s just how it goes when there’s so little musical nutrition to go on.Though this isn’t an easy listen, Body Void’s newest journey into the abyss yields a shrieking, industrial mutation of doom-metal that couldn’t fit into the blackness around them more perfectly. I think looking back in 5-10 years this album will pale in comparison when compared to the first two.