Fuster, Jeremy (March 12, 2023). " Everything Everywhere All at Once Becomes Just 3rd Film With 3 Acting Oscar Wins". TheWrap . Retrieved March 15, 2023. Guy, Zoe (March 13, 2023). "Everything Everywhere All at Once Did It For the Mommies". Vulture. Archived from the original on March 13, 2023 . Retrieved March 13, 2023. Rooney, David (March 12, 2022). "Michelle Yeoh in 'Everything Everywhere All at Once': Film Review | SXSW 2022". The Hollywood Reporter. Archived from the original on March 16, 2022 . Retrieved April 8, 2022. Grobar, Matt (December 8, 2021). " 'Everything Everywhere All At Once': SXSW Sets Daniel Kwan and Daniel Scheinert's A24 Pic As Opening Night Film". Deadline Hollywood. Archived from the original on December 8, 2021 . Retrieved December 8, 2021. The new script's lead character was initially named Michelle Wang, after the film's lead actress Michelle Yeoh, who said, "If you ask the Daniels, when they started on this draft, they focused on, 'Well, we are doing this for Michelle Yeoh.'" [28] The character's name was eventually changed to Evelyn. With her resemblance to the version of Evelyn as a martial artist and film star, [29] Yeoh opposed naming the character Michelle. "Evelyn deserves her own story to be told. This is a very ordinary mother [and] housewife who is trying her best to be a good mother to her daughter, a good daughter to her father, a wife that's trying to keep the family together [...] I don't like to integrate me, Michelle Yeoh, into the characters that I play, because they all deserve their own journey and their stories to be told". [29]

a b Bramesco, Charles (March 22, 2022). " Everything Everywhere All At Once review – ambitious, exhausting trip to the multiverse". The Guardian. Archived from the original on June 15, 2022 . Retrieved April 8, 2022. https://screenrant.com/2020s-movies-destined-to-be-classics/#everything-everywhere-all-at-once-2022a b Fear, David (April 7, 2022). "Michelle Yeoh Conquers the Universe(s)". Rolling Stone. Archived from the original on May 2, 2022 . Retrieved May 3, 2022. Sun, Rebecca (March 15, 2022). "Michelle Yeoh Finally Loses Her Cool: 'What Have I Got to Lose?' ". The Hollywood Reporter . Retrieved March 15, 2022. Yossman, K.J.; Ravindran, Manori (February 19, 2023). " All Quiet on the Western Front Dominates BAFTA Awards With Record-Breaking Seven Wins". Variety. Archived from the original on February 19, 2023 . Retrieved February 20, 2023. Almost Everything You Ever Wanted to Know About Everything Everywhere All at Once" 2022 documentary (40:47)

Robinson, Tasha (April 9, 2022). "The best Easter egg in Everything Everywhere All At Once is a secret director's cameo". Polygon. Archived from the original on May 14, 2022 . Retrieved May 14, 2022.Gillett, George (March 16, 2023). "Everything Everywhere: the wildly surreal film that captured our own unreality". The Lead. Archived from the original on March 20, 2023 . Retrieved March 29, 2023. Nayman, Adam (March 28, 2022). " 'Everything Everywhere All at Once' Fulfills the Promise of Its Title". The Ringer. Archived from the original on June 4, 2022 . Retrieved April 10, 2022. Keslassy, Elsa (March 27, 2023). "Cannes 2023: Thierry Fremaux on the Festival's Relationship with Hollywood, Scorsese, Netflix, Oscars, and TikTok (EXCLUSIVE)". Variety. Archived from the original on March 27, 2023 . Retrieved March 27, 2023. The musical score was composed by Son Lux, whose members are Ryan Lott, Ian Chang, and Rafiq Bhatia. [54] Daniels asked them to approach the score individually, and not as a band. Lott said, "I think that the complete picture of not only who we are as a band, but also who we are as individuals and what we have accomplished and the places we've gone creatively individually, meant for them that there was a possibility that many of these universes of sound could be within reach with this particular trio." [55] Consequence 's Clint Worthington wrote that "for all its dadaist absurdism and blink-if-you-miss-it pace, Daniels weaves the chaotic possibilities into the multiverse into a cohesive story about the travails of the road not traveled, and the need to carve out your own meaning in a meaningless universe." [46] Describing Jobu Tupaki's modus operandi, Worthington notes "the living contradiction that is the everything bagel: if you put everything on a bagel, what more is left? And if you've experienced everything that the multiverse can offer, what's the point of any of it?" [46] Kwan said that the everything bagel concept "did two things. It allowed us to talk about nihilism without being too eye roll-y. And it creates a MacGuffin: a doomsday device. If, in the first half of the movie, people think that the bagel is here to destroy the world, and in the second half you realize it's a depressed person trying to destroy themselves, it just takes everything about action movies and turns it into something more personal." [18] The writer George Gillett argues that the movie is "a coming-of-age film for the internet generation", with the multiverse resembling virtual environments which viewers increasingly exist within. [47]